And if it’s healing for someone else, it’s therapy for someone else, it’ll be therapy for me as well.” These things really happen, so they just turn up again. “I’m going to relive ‘No More Drama.’ I don’t have a choice. “I’m going to feel it like it was the first day,” Blige says. Her most enduring hits - “Real Love,” “Family Affair,” “No More Drama” - accompany our lives, whether or not we’re one of the millions who’ve bought a Blige album or exorcised our pain at one of her exultant concerts where, Rees says admiringly, “she’s reliving experiences.” It obviously is for me, too,” Blige says. “If I’m onstage every single night, it can’t just be for my fans. Mudbound Is a Sprawling, Engrossing Southern Epic You understand what I’m saying? I didn’t know that.” I didn’t know I was that beautiful for real. Dee stripped me down all the way to what I truly am, and people were complimenting me. I wear wigs, I wear bob wigs, and I had to completely strip down to my own natural hair texture, which I’ve always been afraid of. She hadn’t wanted to have me up to her apartment, so when I arrived, her REAL LOVE–hoodie-clad assistant led me through the building’s refrigerated wine cellar to what the concierge referred to as the “card room” for our conversation. “I’m used to my nails now, and I’m addicted to lashes,” says Blige when we meet downstairs at her blandly luxurious Westwood high-rise - inside, all buttery tones, the polished tentacles of a Dale Chihuly chandelier floating above the lobby outside, a fellow tenant’s Maserati SUV idling in the porte cochère. ![]() “The great surprise at Sundance was that people didn’t know it was her until the credits rolled,” says the film’s director, Dee Rees.Īnd now Blige is up for an Academy Award for the portrayal, so different from that other character she’s spent 25 years creating and, in a way, hiding inside: the bling-armored, blonde-wigged, Grammy-laden “Queen of Hip-Hop Soul.” She’d become someone else, someone unrecognizable, yet - and she had to be told this at first - someone undeniably beautiful: Florence Jackson, a sharecropper’s wife in Jim Crow Mississippi who navigated the narrow path allowed for her life, seeing much but saying little. Blige saw herself onscreen in Mudbound, it made her cry.
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